Perfect example of dramatic change in opals’ appearance, caused by a different vantage point. Picture of Ethiopian opal taken on a black, reflective surface.
It is a perfect tool to access the microcosm of opal fire. The power of magnification of a camera lens is far beyond what our eyes are capable of. The camera, on the other hand, has only one lens available to create the image. It is because our brain allows us to see the opal from two different points in space, at once- our eyes. In addition, you will never be able to capture as much colour on a picture, as you can see with your eyes. It changes its appearance with a slightest movement of the light, the camera or the stone itself. When photographing an opal, you must consider many more variables than with other gems. Its complicated internal structure refracts and reflects incoming white light into an amazing display we call the play of colour or simply, opals’ fire. Opal works due to a different principle entirely. Most gems rely on trace elements to give their body a colour and on the cut, to reflect it towards you. Opal photography is a rewarding but also challenging endeavour.
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